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A Profit-Making Agenda
Psychiatrists used the Hollywood set as a means of financing their own movement
and agenda. Psychiatrist Karl Menninger �was well known for courting movie people,
especially those who could come up with hefty donations to support his clinic
and research foundation.� There was another reason Menninger enjoyed mixing
with producers and studio heads: they generated business for his clinic. Those
who had met the psychiatrist �were soon shipping their [so-called] mentally
unbalanced performers off to Topeka [Kansas] for treatment.�
One of these was Robert Walker, who co-starred with Judy Garland in the 1944
film, �The Clock.� After his separation from actress Jennifer Jones, Walker
began drinking heavily. In 1948, he was arrested for drunk and disorderly conduct
and Dore Schary, head of production at MGM, gave him an ultimatum: submit to
treatment at the Menninger Clinic or be fired.
Walker went to the mid-Western psychiatric facility and was also made to continue
regular therapy with Los Angeles psychiatrist Frederick Hacker, who had trained
at the Menninger Clinic. Not only was the psychiatric �therapy� ineffective,
it killed Walker. On August 28, 1951, Walker went into shock and died after
being given a powerful barbiturate. Four decades later, Los Angeles therapist
Alex Rogawski was the first to be candid about this: �Hacker killed Robert Walker.�
The 1945 movie �Spellbound� was among the first productions to employ psychiatrists
as consultants, listing May Romm as �psychiatric advisor� in the credits.
Another notorious Hollywood psychiatrist was Martin Grotjahn, who had emigrated
from Germany at the invitation of Karl Menninger and worked at his clinic until
1945 before moving to Los Angeles. In 1950, along with Frederick Hacker and
May Romm, he founded the Institute for Psychoanalytic Medicine of Southern California,
a training center for analysts.
Grotjahn admitted that he was attracted to Hollywood and movie stars because
�I was anxious to make money.� Of course, Grotjahn never permitted his opinion
that �actors are almost impossible to treat successfully,� prevent him from
billing for his unworkable treatment.
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